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Biennalen

2007 Nr. #
Conceptual Crafts & Statement Design 102 Aesthetics, critique and social commitment Nikolina Olsen-Rule Louise Mazanti 114 Presentation of the curators 05. vering on the part of local authori- home’s best’ are all adages that Homepage aesthetics. The machinery aesthetics tinctiveness of these brands.
Læs tidskriftsnummer Læs tidskriftsnummer

Biennalen

1995 Nr. #
æstetik, stil, aesthetics, style, logic of usability, ergono- brugslogik, ergonomi) er beskeden, så er mics), it is however staggering when one den kolossal, hvis man inddrager de øko- includes the economic, technological, and nomiske, teknologiske og sociale sammen- social contexts.
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Biennalen

2011 Nr. #
IDEA An innovative variation on the untold possibilities of pine wood, where function and aesthetics reach a sublime level of harmony. That has been achieved in this version, which also brings form and function together in the functional purpose of aesthetics. Funktionen aesthetics and storytelling?
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Biennalen

2002 Nr. #
at netop fordi man kommer så sjældent i sit køkken, så er det Everything has to be just fine the comfort, the aesthetics, and en god grund til at satse på den rene luxus. Aesthetics only hvor vi kropsligt og sanseligt bevæges og berøres. Aesthetics only hvor vi kropsligt og sanseligt bevæges og berøres.
Læs tidskriftsnummer Læs tidskriftsnummer
And that is what characterizes great aesthetics – something has a life of its own. Thought-provoking eco-objects at the exhibition ‘Current Danish Design’ at Sophienholm (1995) were new designs and represented an alternative low-tech aesthetics statement-rich flotsam from the urban reservoirs of recycling potential.
Læs tidskriftsnummer Læs tidskriftsnummer
It is always much of democracy to cover aesthetics, this world. strong link to aesthetics, the politically creative and active Mortensen’s haute couture, Mortensen/classical art The age of postulates people, not creative producers, shown with the museum’s exhibition was a women’s but only creative consumers.
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Biennalen

2015 Nr. #
The aesthetics and the desiGn have been executed with detailed craftsmanship. ro = O CJ1 This method translates organic form into the aesthetics of the CJ1 bricks. The greatest possible development in terms of aesthetics, function, process and materials occurs where craft and design intersect.
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