I arkivet kan du søge i tidsskrifter fra 1948 til 2009, Biennalekataloger fra 1995-2021 samt i det nye Formkraft.
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God fornøjelse.
[…] artwork inits own right: the unpolished aesthetic and the careless look form an effective contrast tothe exclusive objects. DNING THE FORM AND MEANING OF THE EXHIBITION OVERVIEW: Craft art and design can be presented in many ways. Trine Ahrens Holst reviews the various exhibition types and their perspectives. By Trine Ahrens Holst Inrecent years […]
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[…] synes Vesten atsystematisere denne disciplinering, som Le Corbusier missionerede for. Kroppen fik sin nye identitet under funktionalismens geometriske A DREAM AND REALITY UTOPIAS IN TWENTIETH-CENTURY DESIGN AND CRAFT ART Essay /By Henrik Most This summer the Danish Museum ofDecorative Art presents its new arrangement oftwentieth- century design and craft art. The museum has chosen […]
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[…] erased, words are changing their meaning and new roles are arising with new kinds of collaboration. The artist- craftsman has become the designer. I jy 8£ The craft artist knows that knowledge is to be found in the material and captured in the object: that know- ledge is physical, tangible, sensual. From the blank […]
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[…] element inwhich the Embassy isinvolved. Danish design isakind ofice- breaker which -metaphorically speaking -breaks through most things.” Danish Design’s good It’s almost fifty years since Danish design, craft art and architecture took the international markets by storm, making aunique impact where artistry, craftsmanship and social factors merged tocreate an exemplary ‘brand’. Design, craft art […]
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[…] samtidig etfrigørende opsving for æstetiske energier mere idistance tilend idialog med efter- krigstidens nationale designtradition. “Danish Design” som kvalitetsnorm, med dens egenartede forkærlighed for de ædle i Craft art & industrial design THE DANISH DESIGN BOOM – THE NEW DESIGN Throughout the 1980s. classic Danish Design’ was challenged by the young craft artists and […]
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[…] and costume sketches. And while new forms ofretro are constantly seeing the light ofday, we can all begin tospeculate over what can be retrospectively recreated from today’s craft arts and design atsome time -far ornear –inthe future. History isremembered -and forgotten. Janne Wendt. “Little Peter’s Pixie Cap”. Dyed paper yarn pom- poms. Wound with […]
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[…] pådansk keramik. Fynske Kunsthåndværkere har inviteret smykkekunstnere tilgæstebud iSmykkeskrinet. Dansk-svensk designermøde blev ensteril stafet. Smykke- ogglaskunst påfagmuseerne iGrenaa ogEbeltoft. ANMELDELSER Reviews American eyes look atDanish ceramics. Funen craft artists invite jewellery artists toadialogue atJewel Case’. Danish-Swedish designer meeting asterile affair. Jewellery and glass artatthe specialist museums inGrenaa and Ebeltoft AF ARNO VICTOR NIELSEN INDSPARK: […]
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[…] new creation, every new thing leaves its impression on the world, large orsmall, from the ability ofthe Coca-Cola bottle tosignalize its product through its curved lines tothe craft artist’s subtle experi- ments and explorations ofform, expression and material. The question we have toask iswhether one can change the world through design. But we must […]
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[…] luthier learns torecognize its acoustic properties. But ittakes many years before one isgood atit. You can’t learn this skill byreading about it.You have tolearn itfrom amaster ofthe craft. As the violin isassembled and varnished the acoustic qualities change. Inother words, what we have issuch an immensely complicated interplay offactors that we shall never be […]
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[…] ihærdigt med dem, de vil altid genfinde deres helt egen volumen. Det er ikke mig. der styrer dem. uanset hvor omhyggeligt jeg pakker dem ind eller 2 Craft art is more personal and expressive than ever before, thinks the designer Louise Campbell, who has just curated the exhibition ‘Therefore’. Here she puts the jewellery […]
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