I arkivet kan du søge i tidsskrifter fra 1948 til 2009, Biennalekataloger fra 1995-2021 samt i det nye Formkraft.
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Hvad fremtiden bringer Ingrid: Inden længe udkommer anden udgave af din bog Design History: Understanding Theory and Method, som indgår i læseplaner verden rundt. Første udgave udkom i 2010. Hvad er de vigtigste opdateringer i den nye udgave? Kjetil: Det har været en kærkommen, men indimellem også frustrerende udfordring at revidere bogen, som jeg […]
[…] environmental price of fast fashion. Nature Reviews | Earth & Environment volume 1. pp:189-200 Payne, A. (2017), Fashion Futuring in the Anthropocene: Sustainable Fashion as "Taming" and"Rewilding"Fashion Theory, Volume 23, Issue 1, pp. 5–23. DOI: 10.1080/1362704X.2017.1374097 Tønder, L. (2019). Det antropocæne. Ny kulturteori. red. / Birgit Eriksson; Bjørn Schiermer. København : Hans Reitzels Forlag, […]
Kilder Baré, E. (1995). Dig og tingene. Ekko. Lokaliseret 10. april, 2023 i Nanna Ditzels arkiv. Beck, U. (1994). The reinvention of politics: towards a theory of reflexive modernization. I U. Beck, A. Giddens & S. Lash (red.), Reflexive Modernization. Politics, Tradition and Aesthetics in the Modern Social Order (s. 1-56). Cambridge: Polity Press. […]
Læs forskningsartikel
[…] (2010). The textility of making. Cambridge Journal of Economics, 34(1), 91-102. Kirketerp, A. (2020). Craft-psykologi: Sundhedsfremmende effekter ved håndarbejde og håndværk. Mailand. Latour, B. (1996). On actor-network theory: A few clarifications. Soziale Welt, 369-381. Latour, B. & Weibel, P. (red.) (2005). Making things public: atmospheres of democracy. ZKM. Latour, B. (2010). Steps toward the […]
[…] the new ‘user-propelled’, immate- rial innovation isalso illustrated. CREATIVITY AND INNOVATION are not identical entities, but close- lyrelated concepts that are both aspects of design and the theory and practice of product develop- ment. Via the targeted processes and results of innovation, the com- pany and its products can profita- bly measure themselves against […]
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[…] pies of artists and designers who work at the intersection of multiple cultural influences with textiles as their vehicle (Bloomsbury: 2014). www.jessicahemmings.com There can be no general theory covering the craft disci- plines, and consequently whatever clarification of motives and values the craftsperson achieves can be inferred from the work and what he or […]
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[…] and the strong professionalism -might be banalized. Looking atitpositively. Ithink itcould become areally good course. But that depends on whether we can create the right balance between theory and practice. Inasubject like ceramics in particular, alot depends on motoric teaming. Learning tothrow is just like learning toride abicycle. Ittakes time, but atthe same time […]
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[…] combined institution to offer glass facilities inone location. Why isthe theoretical level important in relation to the future? How do you view the cross-fertilisation between creativity and theory? To designers in2011, aholistic understanding isan impor- tant condition for creating valuable design solutions. Inad- dition, it’s necessary to have the right tools for handling complex […]
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[…] alt dette, sta- dig findes et “felt” midt ihele denne turn- than that of: design. This field is what in philosophy is known as autonomy: neither in theory nor practice can that which occurs here he reduced to one specific external factor (art, economy, technology….) or for that matter acombination of several or all […]
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[…] stretching over several years were started in Co- penhagen and the provinces, and in these schools daily instruction was arranged both in the practice and in the theory of weaving. In 1930 ahome exhibition was held in Stockholm, and the modern home with simplified furniture and other articles of utility led to textiles coming […]
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