Showing results for sara staunsager
[…] when rethinking our social lives? Can we learn something from the colorful designer's thoughts on the sentient body and the unconscious mind? And does Panton have the answer to what so-called good taste is? The article by Sara Staunsager is peer-reviewed and is linked to the exhibition at Trapholt: Verner Panton – Colouring a New World
[…] the interplay between old and new. It’s one of the conditions – or challenges – we set for ourselves when acquiring new craft and design pieces,' says Sara Staunsager, curator at Trapholt. Relevance is the key Trapholt was not established with a significant acquisitions budget, and over time, the museum has built its collection primarily […]
[…] wanted to re-establish the core emphasis on practice and workshop activities after recent years’ growing emphasis on theory in the programme, which is now categorized as academic. Sara Toftelund Sommer and Felix Sand Sørensen were among the students who spoke up back then. Since then, they have engaged in dialogue with the Academy’s leadership, […]
Sara Staunsager belyser Nanna Ditzels arbejdsmetoder og stiller skarpt på de kompetencer, som har været vitale for hendes evne til at tænke radikale tanker og skabe designs, der ligeledes var banebrydende. Ved at undersøge Nanna Ditzels arbejdsmetoder og hendes refleksioner over evnen til at omsætte rumlige miljøer og designs, tegner der sig et billede […]
Sara Mirkhani is a ceramist from the Royal Danish Academy of Fine Arts. She points to an unfortunate hierarchisation of the arts in Denmark and points out that we must protect the professionalism that comes with the title of craft artist (kunsthåndværker).
Sara Staunsager, MA in Aesthetics and Culture. Curator of Collections at Trapholt museum of modern art, craft and design.
[…] a way of listening to community – not as something given but as something that continually comes into being through relations, movements and materiality. With inspiration from Sara Ahmed’s understanding of orientation towards the unknown (4) and Eva Skærbæk’s ideas about care as a relational practice (5), I aim for a design concept where […]
One example is designer Sara Martinsen, whose digital encyclopaedia Phytophilia provides knowledge about how plants and vegetable fibres can be used for aesthetic and practical purposes in design and architecture.
[…] The høstbo gallery presents both established and emerging Danish designers, focusing on small-scale productions and unique pieces. Currently represented are Michael Anastassiades, Frederik Gustav, Mia Lagerman, Maduko, Sara Martinsen, Anne Prytz Schaldemose and Anna Søgaard. Marie-Louise Høstbo is also a freelance writer for Formkraft and has written numerous articles on Danish arts and crafts […]
[…] a podium where you gain insight into the process: material studies, sketches, moulds or tools. The works are curated by the design duo ArkForma, consisting of architect Sara Saur and designer Mathilde Østengaard-Sejersen, who are also exhibiting themselves. The selection has been made with the desire to highlight the broad use of materials in […]