[…] udenom for atholde sig tildet kendte værktøj, de gennemprøvede materialer og det aktuelle udtryk. Idag er internettet etaftidens nye værktøjer -og mange kunsthåndværkere har glæde afde nye digitale muligheder. Formidlingsmæssigt har kunsthåndværket længe været på nettet. Der findes mange nyttige hjemmesider, der findes en database over danske kunsthåndværkere og designere, små kollektioner afkunst- håndværk […]

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Biennalen

2015 Issue #

[…] andre materialer, oper- erer med form-clash m.m., eller der skabes måske et udfordrende møde mellem et traditionelt eller “fundet” materiale oé æstetiske éreb, der mere associerer til digital teknoloéi eller på anden måde peéer direkte ind iaktuelle forhold oé spændinés- felter forbundet med det sociale, kønnene oé fællesskabet. Andre af projekterne fører det skulpturelle […]

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[…] areturn toclassic pattern forms -often inthe form ofaradical wrestling with ornamentation, deconstruction ormixed forms. Since both Goldin and Gombrich wrote, we can add the great boom inthe digital potential ofthe computer with its almost disturbing ability to produce unheard-of quantities ofpatterns inan inconceivably mini- mal time. Then inthe 1990s, ofcourse, there came the necessary […]

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[…] serigrafitryk på bomuld. 90 x100 cm “Compositions” 2001. Unique serigraphic prints on cotton. 90 x100 cm FLICKERING IMAGES The textile printer Louise Sass combines classic print with digital inspiration in amodern decorative idiom /Portrait: By Bjarne Kildegaard /”Some have said itlooks like keyboards”, says the textile printer Louise Sass. as she shows aprofusion ofserigraphic […]

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[…] tendency ofmicroelectronics had brought much freer design possibilities into play and called greater attention tothe design ofthe interface, the locus ofuser communication with the object. While the digital drive ofhigh technology towards ‘dematerialization’, compactness and ‘the disappearance of the product’ achieved much greater visibility inthe 1990s, itstill only sporadically affected the experience ofeveryday life […]

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[…] on form Mia Dela Jensen. / Annette Fuglsang. Dekorative byg- ningsmoduler /Decorative buil- ding modules. Ane Møller Davidsen. Kl. 19,00 -? /From 7o’clock onward … Anders Korsbæk. Digital Inspirati- on. En interaktiv butiksinstallation /Digital Inspiration. An inter- active shop installation. The Kolding School ofDesign isagain back atKoldinghus Castle ina smoothly-functioning dialogue with the surrounding […]

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Petitstuff på SIXpm er opkaldt efter keramiker Edmund de is based on a combination of generative processes in 3D digital graphics and porcelain. is thriving and receiving many accolades, in Denmark as well as abroad. It seems that ceramics and craft are beginning to doubt their rightful seat at the table. At least, one […]

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Biennalen

2002 Issue #

[…] derfor er designerens eventuelle personlige æstetiske præferencer ikke ønskelige. avenues for anyone who might call themselves craft artists with new possibilities inthe form ofthings like CAD/CAM and digital printing; possibilities that mean that the antithesis between con- cepts like unique and serial may no longer be meaningful. The model isvirtual and can constantly be […]

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Biennalen

1995 Issue #

[…] weake- ned, -ultimately severing completely. There is talk of “black box”- design: the interior can take on any exterior. There is no longer any reason why a digital clock has to be inserted in around form: why not just as well in an oblong shape, e.g. a ball point pen? The designer is entirely […]

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[…] tro kopi på Kunstindustrimuseet iKøbenhavn. Medens Danmark folder sig ud i den lyseste anemonetid ønsker 7 unge designere/kunsthåndværkere -alle under 30 -atvise deres “tro kopier” idiscoteksrigtigt mørke. digital-epoke -hvor kommunika- tion er kodeord. tekster af bl. andre arkitekten Gropius og komponisten Messian. Paul Schäfer skriver forord -han er etfund for poesien og denslige. Ialt […]

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