Biennalen

2011 Issue #

[…] Crafts and Design, but more and more craftspeople and designers are attracted to this me- dium. Anne Mette Larsen’s More Asphalt to Ukraine -The Movie convincingly combines textile and digital animation. Here the tapestry, which has served as anarrative medium for centuries, iscombined with the medium that currently serves as the dominant medium for […]

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[…] Tbhai Munch —gjgSBk: Keramiske Veje y BST” ! Paths inPottery Klaus Meedom East, west -home’s best…. ? Øst -vest, hjemme bedst…? 30 jPeder Rasmussen Brilliant poetry Corny textile design Pop and the primitive Pop og primitive toner 38 IM â–  s TRADITION OG KONTRAST Japansk skønhed og nordisk enkelhed. Hinandens modsætning. eller den forbindelse. […]

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Dansk Kunsthåndværk

1966-67 Issue #5-6

[…] høje kvaliteter, specielle garner og selvstændige ideer kendetegner møbelstofferne fra Soft colours, high qualities, special yarns and independent ideas characterize the upholstery fabrics from DEN BIMi FABEEK Textiler, Naverland 6 Glostrup Danmark •Telefon: (01) 960611 Hans J. Wegner har ikke blot tegnet stole, men en hel gruppe af møbler egnet for såvel boligen, kontoret […]

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[…] integreres. Fotos: Planet fotoBentRyberg JA “Kompositioner” 2001. Unika serigrafitryk på bomuld. 90 x100 cm “Compositions” 2001. Unique serigraphic prints on cotton. 90 x100 cm FLICKERING IMAGES The textile printer Louise Sass combines classic print with digital inspiration in amodern decorative idiom /Portrait: By Bjarne Kildegaard /”Some have said itlooks like keyboards”, says the textile […]

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Biennalen

2009 Issue #

[…] Margrethe Larsen Hvad Brugt ogskåret musselmalet fraRoyal Copenhagen Materialer Porcelæn, flock (tekstilfibre) ogsølv What Used and chipped blue fluted china from Royal Copenhagen Materials Porcelain, flock ( textile fibre) and silver sparesvin 2008 (Over) Forbrug /(Over) Consumption Claire Maria Lehmann Iben Harboe Hvad Sparegris, foldet, syet ogklipset sammen Materiale Brugt papemballage What Hog bank, […]

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[…] Workshops for Arts and Crafts for the exhibition “Artists at Work, New Technology inTextile and Fibre Art” inPrato. Italy. 10. GRETHE WITTROCK Prizes were showered on the textile artist Grethe Wittrock in the 1990s. when she aroused alot of attention with her “Project Papermoon”. created with the garment designer Ann Schmidt-Christensen. In 1995 the […]

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[…] use ofthe Venetian techniques. The American Dante Marioni also won an award for his assured formal use ofreticello. But besides Latvian Inita Emane. who interpreted reticello ina textile-oriented context, there were few points ofbrightness, and many exhibitors did not live up tothe high standard and elegance that the reticello technique demands. Desværre er der […]

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[…] traditions and, much more radically than before, approached the ‘free’ artistic idioms ofsculpture, painting orthe con- ceptual installation. Inparallel with the conspicuous resurgence ofpainting as something wild’ textile printing now took an unexpectedly vital leap forward from the position ithad held for many years, overshadowed bytapestry 11 Vibeke Riisbergs stoftrykte værk “Evidence” på 5.6 […]

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Biennalen

2013 Issue #

[…] designers who dare oppose one of the most fundamental modernist “truths” inthe world of design -that adesigner isaperson who draws things that are later mass-produced by machines. Textile designer Jane Ingerslev’s Mega Doily rugs, which resemble gigantic pot- holders more than anything, are atype of product usually made on machines. But even though ittakes […]

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[…] Diktatur. 2003. Som nyuddannet tekstildesigner har Pernelle Fagerlund en frisk tilgang tilfagets muligheder som selvstændigt formskabende 3D-tekstiler. Etoverdimen- sioneret stykke gulvtæppe der indbyder tilsansemæssige oplevelser. Pernelle Fagerlund. Textile Dictatorship. 2003. As ajust-graduated textile designer Pernelle Fagerlund has afresh approach tothe potential ofthe craft ininde- pendently form-creating 3D textiles. An oversized piece of carpet that […]

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