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Dansk Kunsthåndværk

1966-67 Nr. #5-6
The tension is created by the two curved for materials and an already existing tapestry slits facing each other, and this open-closedness tradition. amples of decorative art — not so vigorous in their expression, but beautiful and vivid in their colour- ing and their composition of materials.
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nuances in all cultures, at all times, shaped and adapted for specific needs, traditions and materials. You can see how he moves from being a; a stylistically assured Pop Art producer to a more searching artist with a great focus on i1 the index, where the traces and distinctiveness f of the materials determine the product.
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Katrine Borup reminds tures, shades, the strength of materials, carat, character and quality. Tine Broksø & Danish Crafts has mounted an exhibition bubbling with wild ideas, energy and the urge to tell a story – craft art borne up by fascination with the Karen Kjældgård-Larsen, materials and sensuality.
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Other non-figurative works that Well-established serenity the glass takes on the appearance of very achieve their identity in part from the material As expected, in contrast to the young, the different, soft materials. Within One does not land that sort of job by asking the responsibility for mixing the raw materials.
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The craftsmanship of the products of finely worked materials, loving care user to be a co-creator and to be visually is preserved, while artistic aspects arise with the detail, and sophisticated design provoked, stimulated and surprised. The pattern is simple, so is the materials in a formal idiom influenced production method.
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Throughout the twentieth century the work with the character of materials and textures has been a telling character- istic of Danish craft art. With the innovation, hybridization and permissiveness that have marked the fantastic expansion of the range of materials during the swan-song of the mechanical era.
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