I arkivet kan du søge i tidsskrifter fra 1948 til 2009, Biennalekataloger fra 1995-2021 samt i det nye Formkraft.

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[…] decade Lise Frølund and Sonja Bossow Jakobsen are when producing industrially manufactured goods. In‘Soft Urn’ by Hella Jongerius (1994) an archetypical urn isreborn inanew flexible and artificial material. The urn gives away its industrial legacy by deliberately exhibiting its scars from the manufacturing process. Indoing soJongerius mimes the mended urns from classical ages and […]

Læs tidskriftsnummer Læs tidskriftsnummer

[…] say that ‘craft ishandmade com- munication’. We work inaborderline area whose strength isthat various kinds ofexpe rience and knowledge are mixed. Craft in Dialogue works with the material culture and the questions raised inrelation toit. o -gom Ea BZHH I■i With the name ‘Craft inDialogue’you place crafts atthe centre ofattention, but inMalmö the painter Malene […]

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[…] result isfunctional, utility-oriented things. But the functionality plays together with the far-reaching meanings that arise inthe transformation ofthe objects from consumer products created for aglobal market toraw material for apersonal vision. Anders Jakobsen’s own name for his working method is‘radical handicraft’, awell-chosen concept that conveys how the craft iscom- bined with awill tosubvert and […]

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Dansk Kunsthaandværk

1956 Nr. #8-9

[…] makes another advance in the field of contemporary tableware design. åmm i- In the pattern’s clean lines and strong yet graceful contours, the full possibilities of the material are clearly expressed. Each piece is at once abeautiful form and a logical, usable tool. 310… afresh interpretation of the time- less Jensen credo … to […]

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[…] created aspace within the space, spread sand on the floor, and achieved afurther spatial dimension and fine acoustics. Along with the glass cases this gave us acertain material quality -sand and glass. -What do you think about the current exhibitions that dramatize the exhibition design itself? Idon’t think you should stage-manage design. The things […]

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Biennalen

1995 Nr. #

[…] experiments in unique clothing. The prize committee has thus substantiated their choice: “Mutual to the three projects is, that they each in their own fashion investi- gate material and form in a restrained, analytical and visionary way, which strikes one as thought provoking and consequent.” The Biennial prize 1995 is divided equally amongst the […]

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Biennalen

1999 Nr. #

[…] consists in is that crafts must be considered an artistic practice. But the question isstill: what kind of artistic practice isit? Many people would claim that itisthe material -clay, wood, textile, glass, metal -that makes something acrafts product. The Norwegian art Design, håndværk eller kunst? Til nytte eller pryd eller handler det om noget […]

Læs tidskriftsnummer Læs tidskriftsnummer

[…] the weaver Kirsten Nissen, many factors are inplay inthe preparations for her latest work, The Work ofthe Hand: the classic craft artist’s insistence on working with the material by hand encounters the many options and the efficient production adialogue with afascination with mathe matical feedback models that allow small elements inthe creative process togrow […]

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[…] chair that can belinked inrows, and 1 comes with and without arm rests. I The back curves intwo directions to provide good support inchanging side positions. The material I consumption has been minimized j and the strength maximized inboth I the steel and wood construction. Kasper Salto finished his training as acabinetmaker with Jørgen […]

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[…] at vejen til en “helende” kultur måtte ligge iarbejdsglæde og opnormering af de gennem århundreder erhvervede kundskaber og erfaringer, koblet sammen med en stærk sensibilitet over for materialer og deres egenskaber. Denne orientering mod de særskilt fremstillede ting, det unikke etc., hænger også sammen med, at vores virkelighedsbillede i stigende omfang dannes af medier, […]

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