[…] best possible sales outlet for their production both on the domestic market and abroad. But artist-craftsmen are individualists with their own characteristic traits and different forms of artistic expression, acircumstance which in itself can give rise to clashes, especially in the case of an organi- zation such as the Permanent Exhibition, which not only […]

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Biennalen

1995 Issue #

[…] crafts and design. It is expected of craftsmen and designers to participate in seeking out new forms of production and ways of improving materials as well as artistic design. In this effort, the scanning of museum col- lections of previous eras’ best works of crafts and design is of great importance to the crafting […]

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Dansk Kunsthaandværk

1951 Issue #7

[…] trying to meet the taste of the general public and preserve their ideals as well. In away the individual craftsman’s position is the easier one. Ifhe possesses artistic ability and has had the opportunity in his youth to train and develop it, itwill be apleasure for him to produce things out of his own […]

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Biennalen

2017 Issue #

[…] UK: Polity Press. With the Biennale for Crafts &Design 2017 we are inviting you to take part inahumanist awakening. We are asking you to focus on your artistic analysis, on all the areas where close relations, reflection and knowledge have had to give way to the Market. Slow down -and help us change the […]

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Biennalen

1999 Issue #

[…] The exhibition isintended to show the whole scope ofthe field, which covers utility ware, both one-of-a-kind and serially manufactured industrial products, and works whose emphasis lies on artistic expression and afeel for materials. The exhibition isfurthermore intended topresent crafts and design that use imagination and vision to develop and explore the qualities and limits […]

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Biennalen

1997 Issue #

[…] istedet for at hæge om sin egen selvstændighed? Istedet for at rendyrke sine egne forudsætninger? Its link to Utility ware does not simply make crafts man’s oldest artistic form of expression; italso endows itwith characteristics that are just as fundamental for man, just as basic as art. But also different. And for many people, […]

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Dansk Kunsthaandværk

1955 Issue #9-10

[…] colours. L. F. Foght exhibited some good plain upholstery material in many excellent shades, in which the structure had been emphasized. Architect Erik Ole Jørgensen, who is artistic and guiding adviser to Foght, says about the quality of the fabrics that analogously with the archi- tects’ stressing of the material of the furniture itistried […]

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Biennalen

2019 Issue #

[…] og koordinere kunsthÃ¥ndværks- og designomrÃ¥det med henblik pÃ¥ at skabe forstÃ¥else for og anerkendelse af kunst- hÃ¥ndværk og design som kulturfaktor The association’s purpose: to promote an artistic and craft-based development of Danish crafts and design • to promote the members’ professional and commercial interests to improve working and living conditions for makers and […]

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[…] have an experience of lk years and I am working independently in my own workshop. My works are exposed permanently in the Art Gallery Atica, in two Artistic Handcrafts Shops and in my workshop. I have been in- vited to realize expositions in the Lirolay Art Gallery Bontart Art Gallery and New Art Gallery. […]

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[…] Indtil de aller seneste tiår! stillingsmetoder og materialer, blandt andet med hensyn til papir. Stor indflydelse fik f.eks. englænderen John Mason, der isin bog „Papermaking as an Artistic Craft” fra 1959 peger på, atman til papirfremstilling imindre skala, som kunsthåndværk, kan finde masser af materialer inatur og have. Men der var mange andre papirmagere iUSA […]

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