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CERAMICS AND GLASS The field of ceramics took a liberating tack when a number of cera- mists and neo-expressive artists upgraded and reactualized clay as an artistic medium. The potential of ceramics for strong expressive Sparedyr 1930-50 (forrest t.v.) Skål. Ives Ceramics /1 Fish Street / St.
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Norske Kari Mølstads to skulpturer in glass and ceramics. New, colourful winds are sweeping designing articles for everyday use at the through the world of ceramics, a liberating Glass and Ceramic School on Bornholm?' breath of fresh air. Den sidste fjerde­ ikke erstatte den fysiske sansning af of mantle piece ceramics.
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Biennalen

2013 Nr. #
JUXTAPOSE MATERIALS: Photo, earthenware, Indian ink on paper DIMENSIONS: 3 x Al Louise Birch draws ceramics out of its three- dimensional world and juxtaposes it with a two-dimensional drawing. WWW: Copenhagenceramics.blogspot.dk ri 1 iiMSjX' :iU'H <* & Hendes meaning that ceramics takes on in our social environment.
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who play with history and cook up meta- ceramics in their anything but ordinary studio high up in the "Coffee Tower" in Rødovre. £ Karen Kjældgård-Larsen and Tine Broksø graduated from the Ceramics Department of the Danish Design School last year. Der kan søges om værksteds- og legatophold Ceramics & Print.
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ceramics, glass and textiles. De fem på SOFA / The five at SOFA: Galleri DeCraftig (tekstil/textiles) Galleri Grønlund (glas/glass) Galerie Metal (smykker og korpus/jewellery and hollowware) Galleri Nørby (keramik/ceramics) Galerie Tactus (korpus og smykker/hollowware and jewellery) SOFA (Sculpture Objects and Functional Art) 16.
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Dansk Kunsthaandværk

1952 Nr. #7
national reputation in the field of ceramics which our In the field of stoneware, however, we began less late 19th century underglaze porcelain brought us. But the necessary experience is acquired in the field of ceramics proper. But the necessary experience is acquired in the field of ceramics proper.
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