[…] konstruktion. Identitetsstrukturen bliver en flydende og relativ størrelse, og kontrasterne en kvalitet. Inherent in the nature of the group, or community, lies the fundamental human notion of identity. Far too often, we define ourselves by establishing anegative opposite, and far too often, acommunity revolves around the exclu- sion of another, an Other. The work […]
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Du har søgt på: Identity
[…] Design School. Her point of departure has always been her love oftextiles and textile principles, so although she now works with an unlimited field ofmaterials itis her identity as atextile craft artist that structures her approach to the jobs. The windows are full ofperforated, colourful material samples which the strong sunlight casts on the […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] use. But over and above the functional, SUM isalso an attitude. Asignal that one is aware ofwhat one surrounds oneself with. That one cares. SUM isn’t an identity you can buy and fill your life with. We don’t go for market o 2 15 loyalty, quite the opposite. Rather than sell apackage solution we […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] that the central administration ismoving away from thinking interms ofseparate boxes and separate problem complexes. This alliance involves aknowledge that the design courses, aswell asbearing our cultural identity, can also be regarded asanecessary investment inthe development oftrade and industry in Denmark. THE CHANCING PATTERN OF TRADE AND INDUSTRY The entertainment industry -especially the movie […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] Nordic textile triennials (1976- 1996) and now inKyoto, where she met both respect and interest. THE REN EWAL As the Lausanne Biennale became increasingly unsure ofits own identity, certain initiatives were taken here and there toensure the continued development ofthe textiles area. Inthis context the most important event was the International Textile Competition, which […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] exhibition context, the tableau isinter- esting precisely because itputs artist-craftsmanship into perspective as the boundless trying-out ofideas. FROM WHEREFORE TO THEREFORE The exhibition concept and the graphic identity are consistent down tothe minutest detail. For each work there isaWhy? that the craft artist answers conclusively with aresounding Therefore! both inthe thought-provoking catalogue and the […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] technology) and the development ofnew materials will influence tomorrow’s design. Powerful technologies will influence many, ifnot all, design genres and per- haps completely change the pro- fessional identity that we consider amatter ofcourse today. Take two examples. How will information technology influence and transform tomorrow’s con- Harry Allen: »Lighting Fixtures«, 1994 afkeramisk »skum«. Etsvampeagtigt […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] studieretning plus rektor, der er formand for rådet. Møderne er åbne og alle på skolen kan indgive sager til behandling. !52 4.Opgave iindustriel grafik: del af corporate identity program for flyveselskabet Danair. Udført af Ole Guldmann. □ Task set for final exam in industrial graphics: part of corporate identity programme for Danair Airlines. Executed […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] craft artists have access toits technological potential. Craft-based methods and products carry aspecial authenticity with them, which ishighly valued seen inthe light ofpost- industrial society’s lack ofindividual identity. Design and craft work, that were earlier segregated by technological premise, now exist side-by-side, sometimes competing, sometimes complementing each other. Design and craft work therefore establish […]
Læs tidskriftsnummer Læs tidskriftsnummer[…] this deliberate imposition of limits and in- timate absorption in the chosen, restricted field within the ceramic sphere that has given Saxbo pieces their character and personal identity. One may choose between the spontaneous and virile expression and the deliberately restrained form: both are to be seen in Danish ceramics to- day. But the […]
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