I arkivet kan du søge i tidsskrifter fra 1948 til 2009, Biennalekataloger fra 1995-2021 samt i det nye Formkraft.
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[…] tre fællesskabte kunstværker Grænseløse Sting, LIGHTHOPE og Tæt på Træer, som alle blev realiseret i årene 2020-21 hvor coronapandemien lukkede Europa ned. I artiklen benyttes ordet " craft" i stedet for kunsthåndværk, håndarbejde og håndværk. Med dette ønsker vi at markere, at projekterne ligger i et krydsfelt, hvor den professionelle kunsthåndværker og amatøren der […]
[…] the thoughts and intentions behind the curation, design and digital transformation of the biennale exhibition. Including 10 minutes Q&A with the audience 10.30-11.00 The Metaverse as an Artistic Workspace: Future digital design processes and business models Louise Koch, designer, cand.pæd. and MA in cognitive science Join a journey into the metaverse and learn why […]
[…] complete picnic set and prepare for a dejeuner sur I’herbe. Inthe adjudication the jury attached great importance tothe overall thinking inthe pro- posals and tothe human and artistic qualities aswell asthe potential for industrial production. The winner ofthe competition was the project Pic Pac, where the team consisted ofthe designer Søren Ulrik Petersen, the […]
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[…] som arkitekt. Atthe exhibition “Arne Jacob- sen -Absolutely Modern” at Louisiana in2002 all the forms ofcommunication are inplay. The exhibition recalls the idea ofthe Gesamtkunst- werk -the artistic totality that was acharacteristic feature of Arne Jacobsen’s work as an architect. -Hvad gør du for ikke atkvæle objekterne ikoncept og iscene- sættelse? »Det ervigtigt atopretholde […]
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[…] Galleri Inger Molin in Stockholm after contacting them himself. What was itlike tograduate as a ceramist? The first couple ofyears were difficult. Itried several things of an artistic nature and attempted todraw attention towhat Iwas making. But itwas hard tobreak through, not tomention toearn money with it.So Ihad totake various crap jobs here and […]
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[…] among architects about the role ofart: on the one hand there isthe high aspiration tointegrate art inarchitec- ture; but atthe same time itisinthe nature ofthings towant the artistic dimension tobe present independently inthe form ofthe architecture itself. On the basis oftwo recent examples one can see how differently the results ofso-called integration can be. […]
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[…] be sure that itisthe unpredictable and yet inevitable you will be presented with -the characteristic lines ofan original designer who gives her products an unmistakable and keenly artistic stamp. “Ihave aschismatic relationship with things. On the one hand I love things -each carries its own story and when they are pieced together they tell […]
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[…] together again insamplings across style, chronology and classic principles oforder. Inthis self-dramatizing universe, design has lost its enlightening function and isin imminent danger ofburying itself inits own artistic autonomy. S Skredet fra de kollektive visioner mod en formgivning, der byg- ger på individuelle behov kendetegner 1960 ernes design med italienske anti-design tiltag, plastikmøbler og […]
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[…] Iform the plaster, the result isinteresting, and Ienjoy the game and the accompanying discussion with my companion. We agree that all ofKatrine’s breasts are beautiful. All other artistic genres do it:Weltschmerz, love, mental instability, loneliness, incompatibilities are the energies that feed into film, music, literature and the visual arts. Because they represent points from […]
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[…] after. Some ofthe examples cited can be seen as more postulated than others. But just as the early Dadaists and Expressionists ranged with supreme ease from their artistic output over theatrical costumes, stage design and sound, itseems like natural statements when present-day textile artists seek achallenge inthe use offibre-optic cables, when porcelain as amaterial […]
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