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[…] sit kulturelle udgangs- punkt. Red. 2 02 DANSK KUNSTHÅNDVÆRK DANISH CRAFTS 2 Kunsten og tingene. Det konkretes æstetik PER AAGE BRANDT Art and things. The aesthetic ofthe concrete 4 Drøm og virkelighed HENRIK MOST Dream and reality Kunstindustrimuseet nyopstiller udstillingen afdet 20. århundredes design og kunsthåndværk med afsæt ide utopier og store visioner, som […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] philosopher Søren Kierke- gaard pointed out something similar (ifwe can put itbriefly). He used the concept of‘repetition’ about the ideal state that can be achieved by choosing concrete everyday life and being fully present inthe whole sequence ofmoments inlife. Does pic- torial repetition offer the same opportunity for transcendence and abreakthrough tonew layers ofexperience? […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] and individual self-realisa- tion -from the local to the global. Preferably materialised as large- scale objects. Inventions, resource awareness and sustainability. ‘Planet savers’, technological enti- ties or concrete aid projects. Or just the simple product that solves abig problem for very many peo- pie. -Via their unique items and products, sketches and models it […]
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[…] regular product design. 3 CA CA CD■ 7 More than afew of the makers represented at the biennale operate with sublime freedom in the sculptural field, combining concrete crafts skills with the artistic project. In many cases they liberate the material from regularity and rationality, exposing and processing its characteristics in the pursuit of […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] we meet it: with our senses. Good design operates as a solicitude for this meeting in a perception between us and things. Whether itisaquestion of flatware or concrete elements, sanitary por- celain or the numbers on our houses. sansning at gøre, det ligger iordets græske rod. Og sansning har med vort forhold til ver- […]
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[…] Replica and unica Al/by Kristian Berg Nielsen Lektor, Arkitektskolen iAarhus /Professor, Aarhus School of Architecture Certain discussions seem to contain unsolv- able dilemmas. Neither the arguments nor concrete actions are able to reconcile the inherent conflicts. This is also true of the endless debate over the relationship between craftsmanship and industrial design. The schism […]
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[…] take on the tendencies towards areorientation towards patterns inart, artist-craftsmanship and design that have been observable for some time now. thus emphasizes the elements ofapattern behind the concrete, applied pattern -the search for certain basic experiences inembracing the new aesthetic forms. present behind this clear preoccupation with patterns among many creative people and their […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] way any tactile surface, any sensed form, gives us adual experience ofboth touching’ and being touched’ when we touch it:from the inside we have abodily sense ofits concrete structure and its effect on us: while from the outside we can feel the character ofits physical manifestation. (In this respect itmight be interesting toconsider how […]
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[…] almost religious cult ofthe craft. They don’t want togo back tothe Middle Ages. Ittakes some thinking toestablish that, inthe final analysis, their feeling for what isright inthe concrete forming ofathing originates from such an unwillingness tobeconscripted into the antimodernist movement. One also has tobeagood theorist tokeep one’s artistic work free ofbad theories. Good old […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] handling and processing of the environment. Thus, material history is perhaps the most honest basis for a‘history of community’, precisely because its orientation is not idealistic but concrete and practical. The Bigware series aims to appropriate the simplest antique and archetypal forms in ceramic history. 86 * $f iv. i -1 favj i ! […]
Læs tidskriftsnummer Læs tidskriftsnummer