Impactfully, the polyphonic artist Peder Musse abandoned the stationary structure and put his inventive kinetic jewellery into often quavering and slightly jittery motion, thus piquing the curiosity of both wearer person and observer. 25–27, 31–33) and descriptions of Claus Bjerring and Bess Kristoffersen in Funder (2001, pp.
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There is something absolutely fluid about Katharina Beilstein’s substantial rings in soft geometric shapes and polished metals. They are perfectly formed from all sides, just like a sculpture, and this particular aesthetic approach also allows for a variety of ways in which the rings can be worn on your fingers.
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