[…] of time on the purchase of two computers to be shared by the whole class, while we threw glances at the students in the Department of Visual Communication, who greedily explored the digital realm with one computer each. In 1994–2001 I was away from the educational field. When I returned – initially as a […]
The Biennial for Craft & Design 2025 marks its 30th anniversary with an exhibition at Glas in Ebeltoft and an extensive communication programme. The critic at Formkraft sends a clear message: the exhibition is highly recommended. Both for professionals and for the general public who want to experience the finest expressions of craftsmanship at […]
[…] by highlighting selected participants. Instead, I will attempt to describe the structure of the exhibition, point out a few key trends, and assess how the presentation and communication of the projects have been approached. The graduation exhibition – featuring students from the design, conservation, and architecture programmes – is displayed in the high-ceilinged spaces […]
A little communication is desired The textures, colours and techniques of the works combine to create an exhibition of high quality. On the other hand, I would like to see more information about why the exhibition looks the way it does. What connections or debates between the works have been considered? It's too obvious […]
[…] far from accurate. Below you will find a list that is intended to be comprehensive in terms of mapping the museums, art centres, galleries, pop-up formats and communication platforms that exhibit and disseminate high-quality professional crafts and design. In the unlikely event that you know of other professional venues or channels, please let us […]
Multifaceted communication initiatives Knowledge sharing and community engagement have been key elements of the exhibition from the start, as evidenced by the versatile communication strategy. Body and soul have been considered from the beginning. It shows a sense of cohesion and a genuine desire to create a relevant and engaging exhibition for local people. […]
Read interview
The white cube with documentation and communication In my opinion, an art gallery should be a neutral, rigorous space where the material merits of crafts and design can come into their own. A place so stripped of connotations and cultural heritage - a ‘white cube’ - that it doesn't impose its context on what […]
[…] artistic methods of life-like perspective drawing – the vital visualization that Bjørn and Bernadotte considered an essential professional skill, both internally at the studio and in external communication. These so-called renderings were indispensable: they served not only as a clarifying focus point for the individual designer and the studio but also as a vehicle […]
Read theme article
Necessary dialogue Today the situation has changed significantly. The article resulted in much broader and more structured communication between the school’s leadership and its students, including conversations that focused on the students’ concerns. To some extent, these concerns still persist, but the dialogue has led to greater transparency and a better understanding of the […]
[…] new audiences and new inspiration through social media and the internet. That was also refleted in the theme of the exhibition Ceramic Momentum at CLAY Museum of Ceramic Art Denmark in 2019, which examined how ceramic art engages with digital phenomena and how the presentation and communication of ceramic art on digital platforms has exploded.