Biennalen

1995 Issue #

[…] propaganda for aesthetic as well as social norms. If one ignores own design metaphysics of “the modern movement”, then design becomes one of the forms of mass communication in modern society and occupies as such afundamental role, practi- cally and psychologically, in everyday life. One of the prerequisites for the dissemina- tion of design […]

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[…] with familiar visual-art strategies. The automat with 10kroner’s worth of’spirit ofcraftsmanship” inaglass, for example, isa recycling ofan old neo-avant-garde joke that doesn’t really add any- thing tothe communication about the works, but instead seems a little pathetic. Among the works too there are afew ofthese aberra- tions. but as awhole the exhibition isquite simply […]

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[…] åbner op for en internatio- nal dialog ved atgive kerami- kere/kunstnere mulighed for atmødes, arbejde sammen og udveksle viden og erfaring. Det inviterede debatpanel International Residencies: Creative Communication and Mentorship med Les Manning. TBA, Canada. Steve Brousseau. Herritage Village for Arts and Culture, Kina. og undertegne- de Ann Linnemann. Guldager- gård, fortalte om research […]

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[…] sectors and types, the mini- aturizing tendency ofmicroelectronics had brought much freer design possibilities into play and called greater attention tothe design ofthe interface, the locus ofuser communication with the object. While the digital drive ofhigh technology towards ‘dematerialization’, compactness and ‘the disappearance of the product’ achieved much greater visibility inthe 1990s, itstill only […]

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[…] jewellery artist and the giver) who know what ishidden on the inside. Inboth the literal and metaphorical sense this type ofring forms abond, and itisalso abearer ofintimate communication. With such works Kim Buck shows that he likes tokeep tosimple resources, but he isno minimalist inthe strict sense ofthe concept. Inparticular he likes, asinthis example, […]

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[…] tothis confrontation through tools and utility ware; we make the world accommodating and understandable tous. By designing, we create aworld that isours, aworld enveloped inhuman intention and communication. Even though design inthis way influences everything and inour increasingly complex world seems like asynthesis ofdifferent disciplines, there isnonetheless a sharp division between the fields ofcrafts […]

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Gennem en årrække har kunsthåndværket sigtet højt. Fra væsent- ligst athave arbejdet med form og funktion gik mange kunst- håndværkere over tilatarbejde med billeder og struktur. Og selv- om grænserne mellem kunst og kunsthåndværk ikke erfaldet helt, så har de været til stadig diskussion og istadig forandring. Det har været en kolossal udfordring for mange […]

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[…] Puk Lippmann Charlottenborg Nyhavn 20, København 9/9 -1/10 Statens Kunstfonds 3års præsentation Rundetårn Købmagergade, København Til 8/10 Fio-Brazil. Brasiliansk tekstilkunst og blandform. 13/10 -10/12 Paper Path -future communication Ellen og Knud Dalhoff Larsen’s Fond GI. Kongevej 124, 1. Frederiksberg C 30/11-17/12 Fulby Keramik Gentofte Kunstbibliotek Ahlmanns Allé 6 8/9-9/10 “Papir på lærred” -tekstilkunstner Nina […]

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[…] Corbusiers Pavillon 1.Expos imponerende kommunikationssystem af avenuer, svæveba- ner, monorails og rullende fortove udstrålede fra 5indgange. Her ses hovedindgangen med tilknytning til motorvej og S-tog. □Expo’s impressive communication system of avenues, funicular railways, monorails and moving pavements radiated from 5entrances. Here isthe main entrance, from which there was access to motorways and electrified urban […]

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