Anne Brandhøj

Portrait

“Jeg kan godt lide den allergi, der er kommet over for de helt billigt producerede møbler” Møbeldesigner, Anne Brandhøj, tager selv kædesaven og fælder de træer, hun bruger i sine designs. Hun ved godt, at der findes mange møbler i verden i forvejen, men har fundet sin egen uperfekte vej i branchen.

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[…] on Greenland and our knowledge of Greenlandic society. My approach to this is through my passion for the sewing craft, where Inuit have a strong tradition of aesthetics and craftsmanship. I really want to help share some of the exciting and powerful stories from Greenland. Both from the past and the present.’ That's why […]

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[…] it became a spectacle where people would come in to find the 'new'," says Nina Linde and continues: "One year, the stalls were assessed for their quality. Aesthetics were important. Three-meter-long tables were introduced, uniform umbrellas, and a collaboration with the Sitas nursery, which provided green plants between the stalls. We also invited the […]

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[…] clay and why it is important in the particular project, we would open people's eyes and give them an insight into the complexity (climate considerations, references or aesthetics?). I am convinced that if the public gains insight into the technical difficulties of the craft, the characteristics of the material and the interplay and contrast […]

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[…] found that the craft itself was a form of beauty. In his own words: ‘It's a very unusual language that conveys beauty, emotion and a sense of aesthetics. It's not material, but very abstract, and it requires a real sensitivity.’ Lawrence Ebelle is a French/American architect from the University of Illinois at Chicago, School […]

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