[…] ophængt iklar akrylrør. shades inlace hung intrans- Henriette Melchiorsen. Hvad er parent acrylic tubes. Henriette en lampe? Serie af4små lys- Melchiorsen. What isalamp? skulpturer. Series offour small light-sculp- tures. Lene Bødker. Vægudsmykning på 6x3mog udendørs glas- relief på 3x3mtilLO’s nye hovedsæde på Islands Brygge. København. Lene Bødker. Two glass decora- tions for the new […]

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[…] things are being produced, Cecilie Manz isthe guardian ofthe needful things. There must be areason todo it.otherwise itisn’t worth it.And this strate- gy has been her guiding light since she graduated in1997 from the Danish Design School, where she created the Low Surface’. “The point ofdeparture was the minimal dwelling: toexplore and define what […]

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[…] er brug for Designfonden -og atviidag ved meget mere om hvordan den bedst kan bruges. Red. r 4 98 TEMA: LUKSUS INDHOLD Luxury Luksus 2 Peter Hesseldahl Light Stories g Lysfortællinger Minimalist luxury? Isthere any such thing? Minimalistisk luksus? Findes den? Bjarne Kildegaard 8 Covers Covers M Moral Furniture Moralske møbler 16 Merete Ahnfeldt-Mollerup […]

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Biennalen

2013 Issue #

[…] explores the wealth of conceptions and convictions that exist behind the things that we perceive as anatural part of society, and which are worth drawing into the light and questioning. BODYPARTy isaseries of jewellery where the individual pieces resemble body parts, organs and tissue types. Inthe series Katrine Borup questions the prevailing relationship between […]

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[…] 0kJ § zamH LUacs: Oci.£ ofthe materials determine the product. The successful product that made Ingo Maurer world-famous came twenty years into his out- put -the wire-hung light sources. Metal clips, thin wires, feathers and springs danced in shimmering light from small low-voltage bulbs; anew technique inanew form, which other big designers also adopted. […]

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[…] ongoing learning ofthe computer’s wealth ofimage- processing possibilities, has now developed from the first tentative experiments inthe area toanumber ofthree-dimensional, almost stereographic images. She has worked with light and shade inaway that makes the images seem toproject from the surface and evoke an almost eerie and supernatural sense ofaveiled organic universe. The optical effect […]

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[…] objects inthe exhibition are conceived. The form isthus ofimportance tothe choice ofobjects, the communication with the public and the themes orissues on which the exhibition can shed light. The nineteenth-century museums ofindustrial art were among the first toexhibit utility objects. Their original aim was toimprove national design byshowing exemplary objects tothe practitioners of 1 […]

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[…] and with aindependence all her own, she gives the retro concept dignity with her costumes and costume sketches. And while new forms ofretro are constantly seeing the light ofday, we can all begin tospeculate over what can be retrospectively recreated from today’s craft arts and design atsome time -far ornear -inthe future. History isremembered […]

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Dansk Kunsthaandværk

1955 Issue #9-10

[…] Nielsen is working along much the same line. She makes upholstery material which it does not take too much yarn to make, and thus her fabrics are light and handy, and not too expensive. Originally Doris Nielsen’s upholstery was introduced at the School for Dwelling Arrangement by Mrs. Palme, and thereby Doris Nielsen started […]

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[…] and magnets. Inge Lindquist isatextiles designer educated atSkolen forBrugskunst (later Danmarks Designskole) 1981-86. Inge Lindqvist isfascinated with the materials’ own inherent expressions and uses both room and light toamplify them. The craft aspect and technique have been deliberately toned Inge Lindqvist eroptaget afmaterialernes eget udtryk ogbruger rummet oglyset tilatforstærke det. Hånd- værk ogteknik erbevidst […]

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