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For 3 og derfor har vi bestræbt os på at skabe design er ikke nødvendigvis ensretning The Spanish lighting and design firm Santa lys i dette nummer, hvor vi bl.a. og har til dette nummer spottet skæve history’s treasure trove of light makers, greb på lyset – bl.a. year they used computer-controlled lighting one metre apart.
Læs tidskriftsnummer Læs tidskriftsnummer

Biennalen

2011 Nr. #
Enemark works with the glass in both its soft, liquid form and its cold and frozen state, thus creating contrast-filled objects that highlight and celebrate the properties and qualities of the material. This is not a sofa for the dentist’s waiting One can sit on the brown padded seat in the light of room or the hotel lobby.
Læs tidskriftsnummer Læs tidskriftsnummer
Here professional discipline and the of form and materials, the effects of light, and conceptual art – the mutual relationship transparency, etc. There was materials, a knowledge of how light is tecture’s strong element of industrialization to be an end to artistically doubtful "deco- reflected in surfaces, etc.
Læs tidskriftsnummer Læs tidskriftsnummer
leuchtung auf dem Pro- 700 belysninger fra hele ver- lighting, with the result that En 1972, la lumiére était ins- gramm. and efficient lighting. ein Sack Kar- Ingen er da heller blevet ko- mount of light to escape. man vel kan have vanskeligt Light and Illumination. The change from a combicycle to a light– simple machines.
Læs tidskriftsnummer Læs tidskriftsnummer

Biennalen

2007 Nr. #
quiring, questioning, humorous or typical ‘corporate look’: light– Surfaces as experience, the ‘pro- thought-provoking offers that seek weight furniture characterised by found’ meanings of surfaces. just as well be lighting effects, con- trains to operate economically in scious work on materials and a sparsely populated areas.
Læs tidskriftsnummer Læs tidskriftsnummer
Light and shadow are two Lys og skygge er to vigtige faktorer. where the light comes from. When the lights in the hall textile printing and her fascina- of the earth and nature, can are extinguished, this form re- tion with the interplay between has chosen the textile designer material and technique.
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ii 14 Mønstereksempler PERNILLE ANKER KRISTENSEN ANMELDELSER Highly ornamental Reviews 16 Ellen neon TINE NVGAARD Weaving with light I Folketinget afsløres midt i november en opsigtsvækkende lysudsmykning af Pi Astrid Krogh. as a textile work and as light. Astrid Krogh s metal tapestry with vertical neon light tubes on the back.
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Dansk Kunsthåndværk

1966-67 Nr. #5-6
Stoneware jar with light grey celadon glaze and light 5. Rectangular stoneware jar with light green glaze and dark Glaze: Nathalie Krebs, form: Eva Stæhr-Nielsen. synthetic material, namely lightweight plastic. light shades and fittings constitute another tempt- ing sphere.
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Here the vertical window slivers lets in international studio glass and has a collection The architects 3XNielsen, who are behind the of 1500 works created by 600 artists from refurbishment and extensions, have attempted too much natural light.The room is simply to create a architectural whole, where building too bright.
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