have you noticed that people’s taste changes concurrently with their level of prosperity? the more people earn the more conservative they become? Panton thus posits a possible connection between income and conservatism, but also calls for an answer to whether taste is determined by cultural or biological factors: is taste a natural – innate sense […]

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[…] weaving techniques with new materials. In her first piece, Lightmail, from 2000, she wove a modern tapestry in optic fibres that glowed in a constant colour flow and made her known for ‘weaving with light’. In other pieces, Astrid Krogh tests the textural qualities of materials and the colour spectrum that the daylight brings out.

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[…] Here, blue is not just a colour, but an element that binds the space together and evokes a sense of both intimacy and wonder. The natural spring light that streams in through Willemoesgade's street trees plays a crucial role. The light continuously transforms the space, and the expression of the installations changes with the […]

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[…] oxides (iron, ochre, umber and copper) in polystyrene moulds in layers of varying thickness and then casting them in fibre concrete. The two sculptural objects on the floor are beautifully finished organic shapes with the same rough surface texture. The matt, sandpaper-like surface absorbs the light, and the shapes resemble body cavities, tissue and joints.

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[…] of Stormgade and Vester Voldgade through a deliberate use of mirror-finish steel to stage the setting and reflect both architecture and visitors through mirror effects, reflections and light. The mirror surfaces invite museum-goers to reflect on their own presence and demonstrate, in a fleeting image, that we actually make history when we visit a […]

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[…] speak the same language with different accents. It’s ‘no-bullshit’ modernism in a contemporary version, and it works brilliantly. There are also vividly colored stripes that feel both light as air and richly saturated at once. Kallesøe’s textile panels exude weight in expression and craftsmanship and draw on the long red thread of experience, which […]

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[…] a lively expression. The mason can use the relief stones in the masonry joints they normally use. This is a great advantage. A beautiful living wall with light and shadow effects then appears automatically,' she explains, adding that the bricklaying profession has a proud tradition, and the close collaboration with another professional group has […]

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