I arkivet kan du søge i tidsskrifter fra 1948 til 2009, Biennalekataloger fra 1995-2021 samt i det nye Formkraft.

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Relevant læsning Asmussen, H.C. Liquid Life, Biennalen for Kunsthåndværk & Design 2017 (katalog) Bauman, Z. Liquid Modernity, 2006 Guinness, L, Art as Jewellery. From Calder to Kapoor, 2017. Mørch, A. N. Universelt design med kunstneriske kvaliteter, Formkraft, sept., 2022 Turner, Lesley-Anne The Power of Communication Through Art Jewellery, International Journal of Humanities, 2012.  

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Biennalen

2007 Nr. #

[…] Nikolina Olsen-Rule 04. Conceptual Crafts &Statement Design 102 Aesthetics, critique and social commitment Louise Mazanti 114 Presentation of the curators 114 Presentation of the Biennale Comittee 05. Communication Design &Branding 104 Symbols for Sale Judy Hermansen 115 Presentation of the writers 06. Prototypes for the Future 105 Forward-looking designers Helene Øllgaard I The biennale […]

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Biennalen

2013 Nr. #

[…] Heebøll Kristine Tillge Lund Mette Julie Bundgaard-Nielsen Gitte Nygaard og Josefine Winther Anne Fabricius Møller Katrine Borup 54 Kunsthåndværk og kommunikation: stadig meget at lære Crafts and Communication: Still Much to Learn By Professor Jessica Hemmings Translation by Culturebites 80 Tavse skrig Tacit Shouting By Professor Jivan Astfalck Translation by Culturebites 12-106 Værktekster The […]

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[…] that emerges from the contribution ofdesigners, manu- facturers, distributors, consumers, etc. tothe continued production ofculture. Thirdly, Krippendorff believes that itisnecessary to analyze design’s significance for man’s social communication and identity. And finally, Krippendorff applies these three contexts to what he calls an operative context for design, which involves the close but multifaceted interaction ofdesigners […]

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Biennalen

2009 Nr. #

[…] ambassade iDanmark, og siden 2004 også som koordinator iNordisk Ministerråds sekretariats kommunikationsafdeling. Since 2002 she has worked for the Nicaraguan embassy inDenmark, and since 2004 asacoordinator inthe communication department ofthe main office for the Nordic Council ofMinisters. MARTIN FLURI Cand.mag. isociologi med speciale iinternationale udviklingsstudier. Faldt for designkonceptet Vugge tilVugge (Cradle toCradle), da han […]

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Biennalen

1999 Nr. #

[…] their very presence beg to be touched, or objects that have aform and surface that demand physical contact? Pamela Johnson believes that crafts offers aspecial form of communication that is not based on the traditional dichotomy of body and mind that otherwise prevails in our culture. In order to grasp the expanded form of […]

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[…] they’re always autonomous. But when Ipresent them in agallery, Iwill never show them inaglass case. Iwant tocreate asituation where the spectator can touch the works. Jewellery isabout communication, people can use it. That’s the interesting thing about making jewellery compared with awork ofart that you can hang on the wall.’ You can see the […]

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[…] on 21/10/2004 alism held sway. But craft art will never survive ifitmust find its justification inthe romantic cult ofalost past, orinresistance to today’s technological forms ofproduction and communication, asrepresented for example THE UNDECIDABLE Culture ismovement. Itistherefore natural and necessary for craft art tochange cons- tantly.That iswhy we are today inasituation where more and people […]

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[…] contrary, the form ofthe exhibition can be viewed as the framework within which the objects inthe exhibition are conceived. The form isthus ofimportance tothe choice ofobjects, the communication with the public and the themes orissues on which the exhibition can shed light. The nineteenth-century museums ofindustrial art were among the first toexhibit utility objects. […]

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[…] create inthe face ofaDanish health service with interminable waiting-lists. IS. Anne Bundgaard. Danmarks Designskole. Grafisk kommuni- kation. Fra imagekampagnen “Vis hensyn”. Anne Bundgaard. Danish Design School. Graphic communication. From the image campaign “Show consideration”. Kirstine Hanghøj. Danmarks Designskole. Tekstildesign. Firmahunden -fra projekt “Stop ordrop -rekreative pauserum iarbejdsdagen”. Kirstine Hanghøj. Danish Design School. Textile design. […]

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