[…] to lose. Animal figures in textiles may sound like an artistic detour of the kind only Winnie the Pooh and Piglet would take in the Hundred Acre Wood. But Martine Myrup masters her tools so tightly and deliberately that the works become relevant and deeply disturbing. So, the sculptures depict animals. Among other things, […]

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[…] chair you are creating at the dining table you have already produced. Before you know it, you are sitting down to a meal, and fabric colors or wood types have changed along the way. In general, these technologies are great for illustrating product dimensions and relationships when a product is placed in interaction with […]

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Anette Kræn also used brass brush bristles and corset ribs in horn and enamel. Other expressive possibilities were played out in materials such as ivory and wood, ceramic, paper and textile, while Hanne Behrens activated virtually all the textile techniques – knitting, weaving, crocheting and so forth – in her metal wire jewellery. The […]

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[…] I could use a few more deliberate disharmonies and contrasts that put it all a bit more on edge. The materials of all the works are predominantly wood, clay, and paper, resulting in understated, natural colors in nearby shades. Only Louise Sass's work is decidedly color-saturated, but it is hung in a way that […]

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[…] cases and on the walls. And what amazing works they are! Sculptural, poetic and amorphous jewellery pieces in a wide range of materials, from precious metals to wood, clay and resin casts of asphalt. Far from all the artists are goldsmiths – ceramists, glassblowers, sculptors and designers are also among the exhibitors. They have […]

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[…] treasure trove of furniture gems, but that is not my focus today, so I quickly make my way to the upper floor. The stairwell is lined in wood battens painted red, a sensory trigger that mentally transports you to Sweden and prepares you for the exhibition ‘Welcome home, Åke’. The exhibition invites us inside […]

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[…] theme is calm and reflection, a focus that is expressed in a wide variety of materials and formats, including Mette Colberg’s windows, Frederik Gustav’s Balancing Game with wood and pebbles, Marlene Klok Mikkelsen’s digital meditation parody and Liv Marie Rømer’s textile.  Small, hybrid forms dominate this year’s Biennale, probably as a reflection of the […]

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Biennalen

2011 Issue #

[…] keramiske træer (7træer, se s.15), der tilsammen udgør en lille eventyrskov, som vækker fantasien. Pi Bjørg arbejder tematisk med skoven isit keramiske billede The Edge Of The Wood (se s.130), der er et stærkt stilisereret og naivi- stisk landskabsmaleri af flade porcelæns- og stentøjspia- der -kronet af den for tiden allestedsnærværende kloge ugle. Keramiker […]

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