[…] gap between two parallel surfaces that are simultaneously held apart and joined together by visible axes, like Venetian blind slats (ill. 7, 1994). (5) In the 1980s, Georg Jensen tapped into the potential of the global market with a diverse and innovative jewellery production, some years launching 40 to 60 new jewellery designs. In 1994, […]
Sources ‘An internal conflict of interest in the short-lived publication BID’, poster by Ditte Nylander Jensen, Maria Cecilie Christiansen, Patricia Fie Nielsen, Rikke Lauritsen & Sofie Staal Rundstrøm, University of Southern Denmark, Design Studies, 2019 Mirjam Gelfer-Jørgensen (2020). The joining of the arts: Danish art and design 1880-1910 (trans. René Lauritsen), Strandberg Publishing. Poul […]
[…] constructivism. Before the emergence of these two wings, and in between them, the horizon nevertheless broadened to include significant transatlantic impulses, as evidenced by individual examples: the Georg Jensen Silversmithy had held a strong position in the United States since the 1910s, and Johan Rohde’s comprehensive Acorn cutlery pattern (1915–16) was specifically designed for lavish […]
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[…] individual pieces in chronological order, they often provide a broader context. Like when Finn Juhl in 1954 sent Ditzel a letter saying he had recommended her to Georg Jensen "because of my criticism" of the company's line and because she had "produced something both imaginative and well-crafted". You get a sense of how intimate the […]
[…] her doctor, Løvschal decided that, instead of allowing menopause to define her, she would define it. The experienced silversmith, who trained as a hollowware maker in the Georg Jensen firm, aims to demonstrate that this phase of life can lead to reflection, strength and clarity. There is so little knowledge and research in this area, […]
[…] in Easter 1954 and reported to the readers of the Swedish magazine FORM that 5th Avenue and the adjacent streets were decorated with the Nordic colours and that Scandinavian design and craft objects were showcased in the shop windows at Georg Jensen, Bonniers, Sloans, SAS at the Rockefeller Center, Swedish American Line and Pan America Airlines.
[…] Jost Assmann, Järrstigen 10, Solna 7, Sverige, med förslag 1Coch 2E. • • MÖLNLYCKE spisebestik af rustfrit stål, tidløs enkelhed imoderne formgivning… tegnet af Henning Koppel for Georg Jensen Sølvsmedie °< b* >—i &H OD D Z w GO 2 O K O O Georg Jensen Af Erik Lassen /anledning af sølvsmeden og billedhuggeren Georg […]
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[…] mm højt. Med een brænder: 245 mm diameter, 95 mm højt. Georo Jensen Design står for engruppe brugsting iandre materialer end guld, sølv ogstål, der ertegnet af Georg Jensen Sølvsmedies kunstnere. GEORG JENSEN DESGN Georg Jensen Design Chafing dishes incast iron and stainless steel designed byJørgen Dahlerup. With two burners: 13’I2 inch, long, 8inch, wide, […]
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[…] Printing, Litograph F.E.Bording A/S, Meinungsgade 8,Copenhagen N. Silver, Gold, Just Andersen, GI. Kongevej 3-5, Copenhagen F. Bronce, Tin C. Antonsen, Vestergade 36, Odense. Carl M. Cohr, Fredericia. Georg Jensen Sølv, Ragnagade 7,Copenhagen 0. A. Michelsen, Sturlasgade 14, Copenhagen S. A. F.Rasmussens Sønner, Søndergade, Aarhus. Various Den Permanente, Vesterport, Copenhagen V. Peter F.Heering, Overgaden n/Vandet, Copenhagen […]
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[…] E3 FRITZ HANSEN-MØBLER DESIGN: TORUN Torun Bülow-Hübe, the internationally renowned artist-craftsman, has crea- ted exciting and imagina- tive jewellery for women throughout their lives. Torun’s studio at Georg Jensen‘s Silversmithy is making this jewellery with the sense of art and atten- tion to craftsmanship for which the name of Georg Jensen isfamous. Torun Bülow-Hübe, den […]
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