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Biennalen

2009 Nr. #
The sustainability aspect is gives the brooch a clear and recognisable reference to the jewellery tradition. There are instant balances that have to be With the launch of the UN Global Compact in and wax jewellery, shows one stage before the 2000, companies around the world were asked pieces are processed (cast) –
Læs tidskriftsnummer Læs tidskriftsnummer
FROM ARCHITECT TO JEWELLERY ARTIST by Merete Ahnfeldt-Mollerup Katrine Borup is a student in her final term – in other words not yet a fully trained jewellery artist. Along with it she exhibits a box, a jewellery case with "pure gold – pure joy" printed inside, but with the lining made of soap flakes instead of felt.
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Biennalen

2002 Nr. #
THE BIENNIAL PRIZE 2002 IS AWARDED TO The jewellery designer Camilla Prasch for the jewellery series Registriert. The Transit theme clearly comes to the fore in the jewellery project of Camilla Prasch. The jewellery objects point to what no longer Is, with the small labels as silent wit- nesses to what they were once part of.
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Dansk Kunsthåndværk

1966-67 Nr. #5-6
Arje Griegst is unequalled in the sphere of Danish jewellery. The bursary has been given generations, his interest in jewellery to Helga and Bent Exner as an en- efterhånden i kunsthåndværkerlandet came strongly to the fore. Piece of jewellery by Bent Gabriel- sen Pedersen.
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