I arkivet kan du søge i tidsskrifter fra 1948 til 2009, Biennalekataloger fra 1995-2021 samt i det nye Formkraft.

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[…] aquestioning of the very duality ofthe concept of artist-craftsmanship asithad been known from the Bauhaus and the Danish “unika” tradition. Just asimportant was the flirt with other aesthetics and philo- Sophies which was also part of the basis for the experiments of the day. Some people looked to India, others tothe USA and others […]

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Biennalen

2015 Nr. #

[…] bicycle is an innovative spin on the classic diamond model, where the traditionally used heavyweiGht metal construction elements have been replaced with wood and carbon fibre. The aesthetics and the desiGn have been executed with detailed craftsmanship. The project particularly reflects Danish tradition in the areas of function, material and desiGn. “Hand-built in CopenhaGen […]

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Biennalen

2013 Nr. #

[…] BOMBER #1 MATERIALS: Paper DIMENSIONS: 56.5 x92 x6cm Recognisable and familiar issues such as war and peace are the themes inPeter Moell Dam- mand’s conceptual and stylised aesthetics. Reality can be hard tograsp -and sometimes we can’t even see the war for the guns! WWW: Dammand.dk 102 ANNE BJØRN LAG PÅ LAG MATERIALE: Papirgarn, […]

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Biennalen

2011 Nr. #

[…] fra bog binderfaget -både den orginale marmorering Suminagashi fra Japan og den vestlige bakkemarmo- rering. IDEAAn innovative variation on the untold possibilities ofpine wood, where function and aesthetics reach asublime level of harmony. The marbling gives the wood anatural, organic, colourful and vibrant pattern that engages indialogue with the natural growth rings ofthe wood. […]

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[…] beyond their aesthetic and utility value. -How early inthe process do you match the exhibition form tothe presentation ofthe works? As the first thing -otherwise it’s mere aesthetics. -What istypical ofexhibitions ofcraft art and design right now? They’re looking inseveral directions: some are struggling topoint beyond the utility value byway ofascenography orfilm plot. Others […]

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[…] table insilence orinlively conversation. Whether it’s appropriately functional ornot isless important; it’s there and itdemands our attention without forcing itself upon us. And that iswhat characterizes great aesthetics -something has a life ofits own. thoroughly conceived, that makes us liven up and think about it. Rekvisit tilIntet’ Ahorn. 2001 Tegnet tiludstillingen Skin and Soul’ […]

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KUNSTUFF DANSK KUNSTHÅNDVÆRK OG DESIGN No. 5,2005 CORPUS DELICTI AF SOUVENIX 4 CORPUS DELICTI BY SOUVENIX 6 GAVSTRIK AF RIKKE BAGGESEN KEEPING THEM IN STITCHES BY RIKKE BAGGESEN STEDETS SKALAER AF MALENE LA COUR RASMUSSEN 10 CHROMATIC SCALES BY MALENE LA COUR RASMUSSEN FAGRE NYE DESIGNVERDEN AF PERNILLE ANKER KRISTENSEN 14 BRAVE NEW DESIGN WORLD […]

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Biennalen

2002 Nr. #

[…] both technology and design. On the understanding that ifthey do infact spend time there itmust be something they enjoy. Everything has tobe just fine the comfort, the aesthetics, and what you actually use your kitchen for -the cooking. Her ikøkkenet var der alt hvad der skulle være af moderne teknik, og æstetikken var itop. […]

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[…] lilla, rammer det helt tidens hunger efter retro. Overordnet fungerer det godt. men etpar “Antiæstetik” på plakaten. Kitschet kronhjort og mønstret tapet afspejler tidens retro- trend. “Anti- aesthetics” on the pro- gramme. Kitschy stag and patterned wallpaper reflect the retro trend ofthe day. 2E. TRYLLEFLØJTEN W A MOZART Malene Petersen. Relancering afDen Jyske Opera […]

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