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[…] for arestricted period, an opportunity iscreated for illustrating, for the benefit of foreign visitors as well as ourselves, anumber of characteristic features of modern Scandinavian culture and production. The Scandinavian Design Cavalcade and Scandinavian activities to promote handicrafts and design abroad are therefore, although different in character, closely linked by the same idea. The […]

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[…] that we have been able to retain the inter- national reputation in the field of ceramics which our late 19th century underglaze porcelain brought us. In the production of porcelain we had an honourable tra- dition to build on in the work of the Old Royal Factory. There, in the late 1880’s, Arnold Krog […]

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[…] worldview can easily accommodate your design being produced inPortugal,’ he says. ‘We are seeing new ways ofdoing itall the time. Increasing numbers ofcraft artists are dividing their production between Denmark and another country, while others even go astep further. One example isthe glass people behind Fragile, who them- selves run the management and sales […]

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[…] the rare, exclusive objects. Since the first experiments inthe nineteenth century with ex- hibiting useful objects inthe museum framework, the field has expanded. On the one hand, production technology and increasing welfare have contributed tothe spread ofthe designed objects, and on the other hand several actors have appeared inthe exhibition arena inthe form ofart […]

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[…] our space human and habitable. Ifinthis connection we speak ofan applied aesthetic’, ofapplied art. we can add that the application’ ofart is infact quite universally tointegrate the productions ofour technologies, which are always more orless frightening, awe-inspiring and alien- ating, into living rooms-, into the cultural intimacy ofour bodies and minds, into the spaces […]

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[…] muligheden afataktuali- sere andre aspekter afoplevel- sen aftiden findes. folds within aduration. They appear astraces ofprocesses, and themselves become signs of the passing oftime. They have a production time and become subject tothe rationalization of time, and they belong toatime, a historical period. Time can bedescribed asdu- ration. Time islasting. As such itisassociated with […]

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[…] their independence. Some understood how to utilize recent technical ad- vances, and they now run business concerns with many people in their employ. Ishall not go into production and sales statistics, but deal only with the kind of problem confronting work- shops when trying to meet the taste of the general public and preserve […]

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[…] power ofcraft art tomake model-like, interrogatory, disputative and thought-provoking proposals that address the future interventionistically. Inadifferent way from the industrial designer who isinpermanent close contact with filtering production-related compulsive mechanisms, itisperhaps precisely the craft artist who. with critically, ethically and aesthetically reflective manifestations atanother level, can clarify human needs and potentials. Throughout the twentieth […]

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[…] aluminium. 1998 Blackbox +Base’ Lacquered /anodized aluminium 1998 This also applies tothe chair, the ladder orboth combined in Hochacht from 1999. which has just been put into production by the German Nils Holger Moormann, who isalso the manufacturer for another inno- vator. Konstantin Grcic. Itisan integrated utility object without sealing and open tovisibility and […]

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[…] certain limitations. SUM MORE THAN THE PARTS The SUM designers Ane Mortensen, born in1970, trained asatextile designer. Works free- lance asatextile designer and with DTP alongside the production of her own collection ofmatching carpets “DIMENSION”. Berit Kristensen, born in1973, trained asaceramic designer. Works freelance asaproduct designer alongside her own workshop produc- tion ofthe service […]

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