I arkivet kan du søge i tidsskrifter fra 1948 til 2009, Biennalekataloger fra 1995-2021 samt i det nye Formkraft.
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På Tidsskriftshylden findes også alle udgivelser i kronologisk rækkefølge.
God fornøjelse.
[…] doing this. Take for example the concept of‘craft’. Once itwas just the name ofakind ofmanual work, but then came the manufacturing process and later industrialism with mass production ofcheap rubbish, and now crafts are associated with alost golden age, apre-capitalist Paradise. Perhaps itwould not bequite wrong tosay that crafts are succeeding industrial work asareaction […]
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DANSE KUNSTHAANDVÆRK NYT TIDSSKRIFT FOR KUNSTINDUSTRI .UDGIVET AF LANDSFORENINGEN DANSK KUNSTHAANDVÆRK Af Kay Bojesett. INDHOLD OKTOBER 1948 Danish Book Production .Boligudstilling paa de jydske Dyrskuer. Den Permanente og St. Eriksmessen .En Rækkehusstue .Wienersamlingens Gobeliner paa Stock- holmudstillingen .Noter .Udstillinger .Bogarbejder .Landsforeningen. 10 DANSK KUNSTHAANDVÆRK .KØBENHAVN .OKTOBER 1948 .XXI AARGANG .SIDE 153-168 DANSK KUNSTHAANDVÆRK Foreningens […]
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[…] inspired to rediscover and reinvent the desiGn of abicycle for use in the urban-environment. CohSCo stimulate our experience of the urban environment with their sustainable and local production of their city bikes. Their bicycle is an innovative spin on the classic diamond model, where the traditionally used heavyweiGht metal construction elements have been replaced […]
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[…] own name for his working method is‘radical handicraft’, awell-chosen concept that conveys how the craft iscom- bined with awill tosubvert and challenge. His perfidious crossovers between mass production and individual stamp, between functionalism and expressionism, between style and unpredictability, occupy astriking position inthe expanded field ofartist- craftsmanship. WHY CRAFT ART IN 2005? BY LOVE […]
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[…] the curved tensile surfaces flexibility aswell asconstructional rigidity are achieved. the computer on the final material and for the final product. On Monday you can start up production, and then it’s fully painted on Wednesday. By working with that kind ofcomputer technology asacraft artist you can have industrial production atquite reasonable prices. How will […]
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[…] consists ofeight days’ work. The pattern generator starts offblank with apre- cise, striped pattern, but the pattern develops differently foreach day’s work. The productivity increases throughout the production period and the error percentage decreases FOTO: DORTE KROGH THE WORK OF THE HAND IN AN ACE OF TECHNOLOGY STUDIO DIALOGUE BY MARTIN SCHULTZ The weaver […]
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[…] of visual art, design and craft art is becoming increasingly prominent again. The renewed interest in the pattern is related to the fundamental relationship between expression and production, thinks Bjarne Kildegaard, who sees classic craft elements being revived atime when crafts are dying out completely. ESSAY /BY BJARNE KILDEGAARD lil liKfliilVfil :1 >K ■:i […]
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[…] The phenomenon was later called aconfusion of styles —orhistoricism, which clearly marked aslightly more positive attitude tothe matter. The background was the industrial technology that permitted the production offorms inaless labour-intensive way than the traditional costly manual work. The copying-lathe, for example, made itpossible toproduce furniture legs inallthe styles of history, and the citizen […]
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[…] trekantsmønsteret reduceret kompleksiteten ifremstil- development of the module and the triangular pattern she lingsprocessen og tilpasset mønstret til en moderne æstetik. has reduced the complexity of the production process and adapted the pattern to amodern aesthetic. The result isa Resultatet er et værk, der som alanden haute couture sætter en dagsorden for, hvor samfundet […]
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[…] både hvad fremstillingsform og færdig gen- stand angår. Knærmer sig denne dobbelthed 65 on the object’s status as aunique creation. The traditional, hand-made method isused for the production of things with an intention. D, in contrast, isareplica; intention isimplanted in the object through the idea that is explicitly part of it. The object must […]
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