[…] It works better at a craft-driven spinning mill like the one we've established today. It works in such a way that we spin the wool from each animal separately, between one and five kilos, and thus we challenge both the fashion industry and textile craftsmen. Because it means that each batch is different in color.'
Martine Myrup presents moving sculptures in textile in dialogue with the permanent collection at Øregaard Museum.
[…] than 278 citizens have contributed to the co-creation project Things Matter, originating from and physically located at the art museum Trapholt in Kolding. The Faroese craftsperson and textile artist Randi Samsonsen, a graduate of the Design School in Kolding, is the creator of the artwork. In her role as the originator of the artwork, […]
[…] PAPIRKUNST In Hune near Blokhus is this relatively new museum that uses paper as a starting point for exhibitions with artists, craft artists and designers. TEKSTILMUSEET The Textile Museum is part of Museum Midtjylland and is based on the industrial textile industry that has characterised the region for generations. The museum is mostly an […]
[…] Krogh has created a large number of commissioned artworks for the public space, often in prominent locations in Denmark and abroad. In this interview, she describes how her background as a weaver and textile designer is manifested in works of art that connect us, as human beings, to a world that is bigger than us.
[…] awareness. Denmark also has many good examples of decorative projects, user-involving installations and building-integrated art created by practitioners with a crafts and design background. Craft maker and textile designer Astrid Krogh has worked with art and installations in the public space for many years. In an interview in this issue, she explains how she […]
Based on Greenlandic craft traditions, textile artist Julie Bach creates works that combine history, body and sensation. In Puggut Anernerat / Breathing Membranes, she shows how art can bring forgotten techniques and materials into a contemporary context.
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[…] hiding and into a space where it can be sensed and perhaps, as a result, better understood by more people. Historically, there is a crucial connection between textile craftsmanship and digital technology. The mechanical Jacquard loom from the early 1800s controlled its patterns via punch cards and is often considered a crucial step towards […]
[…] European Commission passed a new law developed in collaboration with the Council on the Ecodesign for Sustainable Products Regulation. The goal of the new law is to make sustainable production the new norm in the EU, with an emphasis on circular eco- textile systems, durability, increased lifecycles, repairability, reusaubility and the use of recycled fibres.