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[…] arkitekter eller ingeniører formår. PICTURES IN BUILDINGS BUILDING MATERIALS 5 by Morten Lund Applied art is narrative pictures and textural effects formed in close dialogue with the material and main- tained over time and space in the work. Hand and mind. Applied art is about ideas expressed in things. We live in aknowledge-based society. […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] multiple expression, but perhaps especially inthe experience ofthe basic premises ofits genesis. What can surfaces do. with which everyone works, and what can the tools and the material do? The painter (insofar as the person in question works within the confines ofthe canvas, as many no longer do) experiences atype oflimitation which involves not […]
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[…] makers represented at the biennale operate with sublime freedom in the sculptural field, combining concrete crafts skills with the artistic project. In many cases they liberate the material from regularity and rationality, exposing and processing its characteristics in the pursuit of aesthetic reflection and communicative impact, combining itwith other materials, operating with form clashes […]
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[…] One can see that many visual artists are using craft art atpre- sent. For the visual artists the detour through ceramics has been a way ofunderstanding the material anew.” HOLDBARHED Peter S.Meyer, direktør for Kunstmuseet Trapholt: “Ofte erkunst- håndværket motoren, den frie del afdesignprocessen. Det tror jeg ervigtigt, når vitaler om kunsthåndværkets ressource. Designe- […]
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[…] hybridization and permissiveness that have marked the fantastic expansion of the range of materials during the swan-song of the mechanical era. the involvement ofthe craft artists inthe material istoday unabated -ifnot actually strengthened. But rather than the sensitive interpretations and expositions of the nature ofthe materials ofearlier times, the strong fascination of today isperhaps […]
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[…] was challenged by the young craft artists and designers. Art and design historian Lars Dybdahl reviews the period when boundaries between artist-craftsmanship and design were broken down, material-mixing and sustainability became the watchwords, and Danish Design acquired anew “global” temperament. By Lars Dybdahl The 1980s -the design decade’ -rocked the boat internationally for all […]
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[…] for the actual subject of this article. The Textile Biennale inLausanne, just totake one example, had since itstentative beginnings in 1962 moved through acertain clarity ofcontent toahighly material-intensive Eastern European period, normally placed inthe decade between 1965 and 1975. The contrast came from the Japanese textile artists who attempted tomaintain their own tradition ofdepth […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] proofs of the fact that, if you delve deeply into the technical aspects of your craft and then, as a result of an intimate knowledge of the material, investigate and select the possibility most suited to the form with which it is to be combined, then a‘part-time artist’ is an artist-craftsman. When we look […]
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[…] world, large orsmall, from the ability ofthe Coca-Cola bottle tosignalize its product through its curved lines tothe craft artist’s subtle experi- ments and explorations ofform, expression and material. The question we have toask iswhether one can change the world through design. But we must also ask itsuch that itdoes not have the hollow ring […]
Læs tidskriftsnummer Læs tidskriftsnummer
[…] Karl Gustav Hansen How much issilver misused merely to satisfy ahour- geois ambition, and how often does that purpose really justify the use of the fairly costly material? Those questions rise out of the conscience of asilversmith, and even ifIdo not hope to be able to change the present state of affairs Imight be […]
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