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[…] Nielsen is working along much the same line. She makes upholstery material which it does not take too much yarn to make, and thus her fabrics are light and handy, and not too expensive. Originally Doris Nielsen’s upholstery was introduced at the School for Dwelling Arrangement by Mrs. Palme, and thereby Doris Nielsen started […]

[…] object. That seems natural enough -as reasonable as itshould be to let the functions of an object determine its nature. A lamp for instance should provide agood light, possessing -through proper shading -the right kind of textural character, suitable to the purpose and surround- ings of the lamp. Nobody would think of contradicting that […]

[…] not cause any stir among the public.With the latest exhibition of Verner Panton’s multifaceted work with design, the exhibition hall was transformed into atotal installation of colors, light, furniture, textiles, wall decorations, lamps, etc. The seductive setting, designed by Verner Panton himself, clearly challenged our traditional furnishing concepts and conventions and as such helped […]

[…] an invitation from the editor ofatextile peri¬ Aglimpse ofthe exhibition “URBAN” atthe Museum of Decorative Art in1997. The knit and woven paper garment collection “URBAN” matches the light and shade ofthe city. Grethe Wittrock and Ann Schmidt-Christensen were invited toexhibit atthe Museum ofDecorative Art after winning the Biennial Prize for Applied Art and Design. […]

[…] en af Lindau og Lindekrantz’ indretningsarbejder, Liljeholmens Ljuscenter. Interiøret fremtræder ien raffineret farveskala og interessante belysninger. □ Section of interior designed by Lindau and Lindekrantz: the Liljeholm Light Centre. The range of colours is sophisticated and the lighting effects interesting. händiga intervjusvar. Så mycket får man klart för sig att de gått på samma […]

[…] since then pottery has made agreat advance. Under “functionalism” homes came to look different, and the “china tradition” was discontinued. Dining rooms disappeared, and furniture was made light and unsymmetrical. During the 1920’s it became usual for ordinary people to own an allotment garden with a small “summer house” -as itiscommonly called -and the […]

[…] præger os og kompleksiteten af nuet. Kunsthåndværker/Designer: KAREN-LISBETH RASMUSSEN Levende murværk 32 Web: klir.dk Materialer: Living Brickwork Living Brickwork isalive because the stones are shaped to form light-and- shadow effects inresponse to the chang- ing light of day and variations inthe weather. How can we give brickwork a new, contemporary expression? How can brickwork […]

[…] forms, the pragmatic construction material takes on an organic expression. With the many new technologies within the building tradition, almost anything is possible. Thygesen’s project brings to light the fact that in combination with new techniques such classic materials can also take on renewed value. “The smooth bricks are sheared in profile where they […]

[…] Itis neither fine art nor design, but includes the best ofboth wor- Ids: both the reflective and utility-oriented levels. That isavery privileged position. Ifwe view this inthe light of the original avant-garde intentions, itbecomes clear that craft art isaform ofpractice that iscapable ofovercoming the paradox ofthe avant-garde. Its object isan artistic object, but at […]