But once you crack the code, you appreciate the sculptural quality and the sense of lightness in the design; the seat almost floats, and the body of the chair is constructed in such a way that the grain almost flows into one and continues into the legs.
The other is a slightly earlier project, based in Norway: Future Library from 2014 by the Scottish artist Katie Paterson. So whether the project is created by a visual artist, a ceramicist, an architect or a lighting designer is less important to me; the main requirement is that he or she has an artistic practice.
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