Sustainable choices are a common theme in all the exhibits, and the processes that went into their development and crafting are relayed through small models and material samples.
And why it is more relevant than ever to include craft makers and designers when state-owned buildings are renovated, when municipalities develop decorative projects and when private actors seek to imbue the modern city with soul and sensuous qualities.
A narrative about Denmark in between tradition and modernity, about immersive concentration and isolation during the pandemic, about the interaction of materials and digital technology.
In fact, even in his time, PH felt that a special sort of public expectation had become associated with design during the ‘golden age’, when Danish modern was established as a phenomenon, both in Denmark and abroad. Kulturmoderniseringens paradokser.
It started modestly, initiated by the ceramist couple Hans and Birgitte Börjesson, who for four years had participated in a fair in Oslo, where oil and optimism flowed freely.
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