An international perspective If we take a look at history to compare the new Danish micro-factories with international concepts, one obvious precursor is Issey Miyake’s A-POC (A Piece of Cloth), launched in 1997. Originally, A-POC consisted of a ribbed fabric produced on a circular knitting machine with added seams or welds. The idea was […]

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[…] about the role of the profession in society: Sustainability Diversity/Minorities Craft Materials Formkraft's editorial board will select article proposals for publication in Formkraft for a Danish and international professional audience. If your article is chosen, you must complete it by May 1, 2024. Timeline Abstract submission: February 19 (prolonged) Response to article proposals: end […]

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[…] their involvement, ‘furniture architects’ and craft makers vouched that even mass-produced items possessed value and quality derived from art and craftsmanship. That message proved effective on the international markets, so here, there was no need to relabel the products as design. On the contrary, international buyers wanted an alternative to the stylings of American […]

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[…] Kunstråd (the Danish Arts Council), with a three-member committee serving three-year terms. At that time, the institution Danish Crafts was responsible for promoting Danish craft and design internationally—a dedicated initiative under the Ministry of Culture. Today, it’s nearly impossible to find information about Danish Crafts, despite its role as a powerful and influential force […]

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[…] PhD in sociology. In her research, she is interested in the social impact of design with a particular focus on gender, interdisciplinary collaboration in design, and work and employment of designers. Her work is available in several international design journals including Design and Culture, The Design Journal, and International Journal of Technology and Design Education.

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