In the exhibition <i>Clay – That’s Life! On my way down the stairs to the exhibition I find myself on a very different journey than the one so many of us have been on over this past year. The exhibition is concluded under the skylight at the end of the hall. Vasegaard’s studies are richly represented in the exhibition.
Read review
The stairwell is lined in wood battens painted red, a sensory trigger that mentally transports you to Sweden and prepares you for the exhibition ‘Welcome home, Åke’. The exhibition invites us inside a reproduction of Åke Axelsson’s home and workshop near Engarn on the island of Vaxholm in the Stockholm archipelago.
Read review
The subject matter and material choice are not new for the artist, but it is as if Øregaard's beautiful and cultivating exhibition halls become a resonant space for this tone of an elegy over something we are about to lose. Martine Myrup's exhibition is included in this context in various ways.
Read review