‘I began to envision works in new materials – wood, metal, silicone.’ Marie Herwald Hermann. The international outlook has always been palpable to Marie. The culture in England and the United States presents her with possibilities and dialogues between aesthetic disciplines and the open potential of the artistic environment that shapes her artistic manifesto. […]
[…] the brittle glass, placed in different corners of the exhibition space, emphasises the fragility of the material. And this fragility can also be found in the relief-inspired works that stand freely in the space in frames made of pine wood and angle brackets. Both artists invite us to reflect on how control and chaos coexist.
[…] any case, there seems to be an opposition and a contradiction between plastic and nature. We have a very long tradition of fine furniture architecture based on wood. Plastic also became part of furniture design with the whole Eames-Panton tradition, but just as industrial mass production: moulded. Similar in appearance. And in a way, […]
[…] to lose. Animal figures in textiles may sound like an artistic detour of the kind only Winnie the Pooh and Piglet would take in the Hundred Acre Wood. But Martine Myrup masters her tools so tightly and deliberately that the works become relevant and deeply disturbing. So, the sculptures depict animals. Among other things, […]
[…] chair you are creating at the dining table you have already produced. Before you know it, you are sitting down to a meal, and fabric colors or wood types have changed along the way. In general, these technologies are great for illustrating product dimensions and relationships when a product is placed in interaction with […]
Anette Kræn also used brass brush bristles and corset ribs in horn and enamel. Other expressive possibilities were played out in materials such as ivory and wood, ceramic, paper and textile, while Hanne Behrens activated virtually all the textile techniques – knitting, weaving, crocheting and so forth – in her metal wire jewellery. The […]
[…] I could use a few more deliberate disharmonies and contrasts that put it all a bit more on edge. The materials of all the works are predominantly wood, clay, and paper, resulting in understated, natural colors in nearby shades. Only Louise Sass's work is decidedly color-saturated, but it is hung in a way that […]
[…] cases and on the walls. And what amazing works they are! Sculptural, poetic and amorphous jewellery pieces in a wide range of materials, from precious metals to wood, clay and resin casts of asphalt. Far from all the artists are goldsmiths – ceramists, glassblowers, sculptors and designers are also among the exhibitors. They have […]
Theme: Thriving Formkraft turns its gaze to the wider world to see how craft and design can help promote thriving and well-being. Read theme Search the Archive You can search the Archive on Formkraft for further knowledge. Universal design Wood Durability
Theme: Thriving Formkraft turns its gaze to the wider world to see how craft and design can help promote thriving and well-being. Read theme Search the Archive You can search the Archive on Formkraft for further knowledge. Universal design Wood Durability