More knowledge The Formkraft Archive contains a lot of interesting articles on the subject. The Perfect Copy: The Stolen Collection by Stephanie Strøyer, MA in Art history A Tactile Revolution by Majken Overgaard, curator and writer Crafting the Metaverse by Louise Koch, designer and MA Read theme
[…] to be copied or counterfeited. Therefore, an NFT serves as a guarantee of a work's authenticity and can simultaneously contain information about the work's origin, ownership, trade history, royalty terms, and much more. NFTs may resemble the concept of provenance in the classical art and museum world, but the possibilities extend much further. This […]
[…] on crafts and design. Where and how is contemporary crafts and design established in the city’s space? What actors are behind it? What can we learn from history? Woodwork in the island city In a research project at the Royal Academy, Professor MSO Kirsten Marie Raahauge has examined what happens to cities when welfare […]
[…] on crafts and design. Where and how is contemporary crafts and design established in the city's space? What actors are behind it? What can we learn from history? Woodwork in the island city In a research project at the Royal Academy, Professor MSO Kirsten Marie Raahauge has examined what happens to cities when welfare […]
[…] the current house artist selection, we have seen projects that pay tribute to nature, challenge the body, or delve into colors and materials. Some highlight sustainability, local history, or identity, while others create local cohesion in "village projects" and try to create meaning in the lives of vulnerable children and young people in "city […]
[…] two years earlier. The project was structured as a three-day art workshop for students in years 7, 8 and 9 in collaboration with Danish, Social Studies and History teachers. Prior to the workshop, the students had read the Danish writer Pia Tafdrup’s poem ‘Seven Dresses for Visibility’ from 2011 and the Norwegian writer Nordahl […]
[…] a connection between physical and aesthetic sustainability. The whole process of recycling materials also represents a consumption of resources, so the sustainability aspect of a long lifespan is not insignificant,’ says the established designer, furniture maker and teacher, whose opinions and perspectives illustrate that history tends to repeat itself – but always in new ways.
[…] the Accessory Design programme and chair of the Student Council, she is sitting down with Formkraft for a conversation about the student rebellion in Danish design schools. Director of Education Eva Kappel, Design School Kolding, and Professor of Design History Anders V. Munch, University of Southern Denmark (SDU), are also present to offer their perspectives.
[…] be based on science, practice and artistic development – that is our purpose. We cannot simply decide to drop the academic disciplines. We have to teach design history, aesthetics, theory, the whole underlying method of design. Contemporary designers need great workshops skills as well as an academic, analytical approach to their work. We are […]